CLOISTER

A contemporary addition to a Grade-I listed Anglo-Saxon church. The new structure aims to reimagine and reinvigorate the church’s community function at the heart of the local village.

Carefully positioned alongside the listed building the new spaces respect the existing fabric, standing off it to form an enclosed cloister-like space between. The building provides modern facilities within an accessible and flexible series of communal spaces for gathering, meeting and sharing, as well as a second entrance.

ᗐ

East view copy.jpg
elevation view copy.jpg
COURT VIEW copy 2.jpg
interior view copy2.jpg
Curved infills, derived from gothic vaulting, brace a external frame supporting composite roof cassettes, allowing an extremely lightweight structure that can be installed, touching only minimally touches on the building and archeologically protecte

Curved infills, derived from gothic vaulting, brace a external frame supporting composite roof cassettes, allowing an extremely lightweight structure that can be installed, touching only minimally touches on the building and archeologically protected ground.

Noth East view copy.jpg
Materials and detailing bond together the new and old elements of the complex. The barn-like structure of the new cookery school exploit the spectacular views and evening sunlight across the rural valley to the west with a crisp fully glazed wall, w
This substantial house addition stretches out from the pitches of the original arts and crafts style building, folding and stepping down into the steep surrounding site. Its fold’s open fissures that highlight views around its interlocking rooms. Oc
04 VIEW APPRAOCH clean.jpg
This installation for part of the London Design Festival achieved a big impact with a minimum of means. The 70x7m grid system holds a pixelated array of panels, which are orientated to reflect or provide glimpses of the foliage beyond, merging the a
The circular form defines an arrival and orientation point from multiple directions, by local rail, car or long-distance footpath, connecting all the centre’s operations under one roof such that each component can operate individually or as part of
The building’s plan and roof forms are a direct response to its tight site, setting it back from the surrounding trees and gardens, and pitching to minimise its volume. Built to an extremely tight budget, its main entrance is sculpted and cantilever
SS P1000432.jpg
 The form of the centre embraces the park as the landscape rises to meet with the building. The plan inflects to create a sheltered external space that acts as a transitional zone between the centre and the park. The building’s circulation is c
A low turf roofed stone-faced building abuts a cross-laminated timber two-storey construction with a sculpted roof form that folds down to respect to the existing buildings and a ridge point defined by a cart shed beyond, housing the plant. The farm
el1.jpg
Inclined floor planes unsettle and embrace visitors, leaning out to the seemingly fragile edges of the structure. This instability aims to promote a heightened engagement with its spaces that is entirely open, free and non-prescriptive. It is a pl
elevation ed.jpg
London’s parks have traditionally defined their identity and territory through their own ornate bespoke ironwork. The role of these formal park gates has been equally representational and functional. They act as individual spatial markers within the
The Marriott Portsmouth hotel required extensive updating and remodelling to revitalise its appearance and operation while improving its thermal and acoustic performance. Taking advantage of a highly visible position on the main route into the city

MANIFEST

to make clear or evident to the eye or understanding